{"id":809,"date":"2025-06-25T16:07:15","date_gmt":"2025-06-25T13:07:15","guid":{"rendered":"https:\/\/gabijagrusaite.com\/ferma\/"},"modified":"2025-07-16T11:02:40","modified_gmt":"2025-07-16T08:02:40","slug":"ferma","status":"publish","type":"page","link":"https:\/\/gabijagrusaite.com\/en\/ferma\/","title":{"rendered":"Ferma"},"content":{"rendered":"<section class=\"l-section wpb_row height_large\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_grid cols_1 laptops-cols_inherit tablets-cols_inherit mobiles-cols_1 valign_bottom type_default stacking_default\" style=\"--gap:7rem;\"><div class=\"wpb_column vc_column_container\"><div class=\"vc_column-inner\"><h1 class=\"w-text\"><span class=\"w-text-h\"><span class=\"w-text-value\">Ferma<\/span><\/span><\/h1><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_large\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_grid cols_1-2 laptops-cols_inherit tablets-cols_inherit mobiles-cols_1 valign_top type_default stacking_default\" style=\"--gap:7rem;\"><div class=\"wpb_column vc_column_container us_custom_1f257949 type_sticky\"><div class=\"vc_column-inner\"><div class=\"wpb_text_column us_custom_953674ce\"><div class=\"wpb_wrapper\"><p>GABIJA GRU\u0160AIT\u0116<br \/>\nFERMA<\/p>\n<p><span><strong>Curators<\/strong> \u2013 Francesco Urbano Ragazzi<br \/>\n<strong>Visuals<\/strong> \u2013 Ronaldas Buo\u017eis<br \/>\n<strong>Music &amp; Sound Design<\/strong> \u2013 Jonas Dr\u0117ma<br \/>\n<strong>Architecture<\/strong> \u2013 Linas Lapinskas<br \/>\n<strong>Producers<\/strong> \u2013 Justas Janauskas, Laura Vagon\u0117, Eimantas Palubinskas<br \/>\n<strong>Communication<\/strong> \u2013 Ieva Koncevi\u010di\u016bt\u0117, Sam Talbot, Isabel Davies<br \/>\n<strong>Special Thanks<\/strong> \u2013 Marius Gru\u0161as<\/span><\/p>\n<\/div><\/div><\/div><\/div><div class=\"wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_text_column us_custom_a633a40c\"><div class=\"wpb_wrapper\"><p style=\"font-weight: 400;\"><strong>Reception:<\/strong> August 7, 2025, from 4:00 PM<br \/>\n<strong>Location:<\/strong> Sariai, Lithuania.\u00a0<u>Shuttles to the location<\/u> will depart at 4:00 PM, 4:30 PM, and 5:00 PM from the Contemporary Art Centre (Vokie\u010di\u0173 g. 2), Vilnius, Lithuania<br \/>\n<strong>Registration is mandatory<\/strong><\/p>\n<p style=\"font-weight: 400;\">On August 7, 2025, at 4:00 PM, <em>Ferma<\/em>\u2014an environmental installation by Gabija Gru\u0161ait\u0117\u2014will open to the public. Curated by Francesco Urbano Ragazzi, the exhibition features a two-channel video installation and a series of site-specific drawings created especially for the occasion.<\/p>\n<p style=\"font-weight: 400;\">The project unfolds in a place that is foundational to the artist\u2019s childhood: a former industrial building in the eldership of Sariai, which is the home and studio of her father, Marius Gru\u0161as, an artist himself.<\/p>\n<p><span style=\"font-weight: 400;\">Embracing the Fluxus spirit rooted in the Lithuanian art scene, the exhibition will be open to visitors for one day only, through a collective journey into the landscape of eastern border of Lithuania<\/span><span style=\"font-weight: 400;\">. <\/span><span style=\"font-weight: 400;\">Conceived as a ritual of initiation, <em>Ferma<\/em>confronts traumas that are both personal and historical, weaving together memory, landscape, and legacy.<\/span><\/p>\n<p style=\"font-weight: 400; text-align: center;\"><em>\u201cOnly as the war of my generation draws closer and the sound of drones<\/em><br \/>\n<em>enters the nightmares can I finally understand what it means to come from the<\/em><br \/>\n<em>frontier, a place where social tectonic plates move first.<\/em><br \/>\n<em>I move as a stork but frontier is printed in the blood. <\/em><br \/>\n<em>It is not safe here. But we still grow. Animals, plants, people of the frontier.\u201d<\/em><\/p>\n<p style=\"font-weight: 400; text-align: center;\"><em>\u2013 Gabija Gru\u0161ait\u0117<\/em><\/p>\n<\/div><\/div><div class=\"w-separator size_small\"><\/div><div class=\"w-btn-wrapper align_center\"><a class=\"w-btn us-btn-style_1 us_custom_3995170b\" href=\"https:\/\/gabijagrusaite.com\/en\/ferma\/#curatorial-text\"><span class=\"w-btn-label\">CURATORIAL TEXT<\/span><\/a><\/div><div class=\"w-btn-wrapper align_center\"><a class=\"w-btn us-btn-style_1 us_custom_3995170b\" href=\"https:\/\/gabijagrusaite.com\/en\/ferma\/#biographies\"><span class=\"w-btn-label\">BIOGRAPHIES<\/span><\/a><\/div><div class=\"w-btn-wrapper align_center\"><a class=\"w-btn us-btn-style_1 us_custom_3995170b\" href=\"https:\/\/gabijagrusaite.com\/en\/register\/\"><span class=\"w-btn-label\">REGISTER FOR THE EVENT<\/span><\/a><\/div><div class=\"w-btn-wrapper align_center\"><a class=\"w-btn us-btn-style_1 us_custom_3995170b\" href=\"https:\/\/www.dropbox.com\/scl\/fo\/vc7pj7ev8yiu7keysfzgg\/AMFasGU5sHUaVkr5ufnn52s?rlkey=7aiujz9p83dip5lgh95a866ag&amp;dl=0\"><span class=\"w-btn-label\">PRESS FOLDER<\/span><\/a><\/div><div class=\"w-separator size_small\"><\/div><div class=\"w-grid type_grid layout_885 cols_3\" id=\"us_grid_1\" style=\"--gap:0.2rem;\" data-filterable=\"true\"><style>@media (max-width:1024px){#us_grid_1 .w-grid-item{width:50%}}@media (max-width:600px){#us_grid_1 .w-grid-list{margin:0}#us_grid_1 .w-grid-item{width:100%;padding:0;margin-bottom:var(--gap,0px)}}.layout_885 .w-grid-item-h{}<\/style><div class=\"w-grid-list\">\t<article class=\"w-grid-item size_1x1 post-880 attachment type-attachment status-inherit hentry\" data-id=\"880\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a ref=\"magnificPopup\" href=\"https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite-Ferma-still-from-video-3-scaled.jpg\" aria-label=\"Screenshot\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1438\" src=\"https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite-Ferma-still-from-video-3-scaled.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite-Ferma-still-from-video-3-scaled.jpg 2560w, https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite-Ferma-still-from-video-3-300x169.jpg 300w, https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite-Ferma-still-from-video-3-1024x575.jpg 1024w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-653 attachment type-attachment status-inherit hentry\" data-id=\"653\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a ref=\"magnificPopup\" 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href=\"https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite-Ferma-still-from-video-2-scaled.jpg\" aria-label=\"Screenshot\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1439\" src=\"https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite-Ferma-still-from-video-2-scaled.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite-Ferma-still-from-video-2-scaled.jpg 2560w, https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite-Ferma-still-from-video-2-300x169.jpg 300w, https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite-Ferma-still-from-video-2-1024x576.jpg 1024w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n<\/div><div class=\"w-grid-preloader\">\t<div class=\"g-preloader type_1\">\r\n\t\t<div><\/div>\r\n\t<\/div>\r\n\t<\/div>\t<div class=\"w-grid-json hidden\" onclick='return 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srcset=\"https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite-Church_dancehall-page-1.png 2500w, https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite-Church_dancehall-page-1-225x300.png 225w, https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite-Church_dancehall-page-1-768x1024.png 768w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\" \/><\/a><\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-874 attachment type-attachment status-inherit hentry\" data-id=\"874\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a ref=\"magnificPopup\" href=\"https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite_Sariai-Map.png\" aria-label=\"Gabija Grusaite_Sariai Map\"><img loading=\"lazy\" decoding=\"async\" width=\"1875\" height=\"2500\" src=\"https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite_Sariai-Map.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite_Sariai-Map.png 1875w, https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite_Sariai-Map-225x300.png 225w, https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite_Sariai-Map-768x1024.png 768w\" sizes=\"auto, (max-width: 1875px) 100vw, 1875px\" \/><\/a><\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-872 attachment type-attachment status-inherit hentry\" data-id=\"872\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a ref=\"magnificPopup\" href=\"https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite_Sariai-Map-2.png\" aria-label=\"Gabija Grusaite_Sariai Map 2\"><img loading=\"lazy\" decoding=\"async\" width=\"1875\" height=\"2500\" src=\"https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite_Sariai-Map-2.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite_Sariai-Map-2.png 1875w, https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite_Sariai-Map-2-225x300.png 225w, https:\/\/gabijagrusaite.com\/wp-content\/uploads\/Gabija-Grusaite_Sariai-Map-2-768x1024.png 768w\" sizes=\"auto, (max-width: 1875px) 100vw, 1875px\" \/><\/a><\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n<\/div><div class=\"w-grid-preloader\">\t<div class=\"g-preloader type_1\">\r\n\t\t<div><\/div>\r\n\t<\/div>\r\n\t<\/div>\t<div class=\"w-grid-json hidden\" onclick='return {&quot;action&quot;:&quot;us_ajax_grid&quot;,&quot;infinite_scroll&quot;:0,&quot;max_num_pages&quot;:1,&quot;pagination&quot;:&quot;none&quot;,&quot;template_vars&quot;:{&quot;columns&quot;:&quot;3&quot;,&quot;exclude_items&quot;:&quot;none&quot;,&quot;img_size&quot;:&quot;default&quot;,&quot;ignore_items_size&quot;:0,&quot;items_layout&quot;:&quot;885&quot;,&quot;items_offset&quot;:&quot;1&quot;,&quot;load_animation&quot;:&quot;none&quot;,&quot;overriding_link&quot;:&quot;%7B%22url%22%3A%22%22%7D&quot;,&quot;post_id&quot;:0,&quot;query_args&quot;:{&quot;post_type&quot;:[&quot;attachment&quot;],&quot;post__in&quot;:[&quot;875&quot;,&quot;873&quot;,&quot;871&quot;],&quot;post_status&quot;:&quot;inherit&quot;,&quot;post_mime_type&quot;:&quot;image&quot;,&quot;posts_per_page&quot;:&quot;10&quot;},&quot;orderby_query_args&quot;:{&quot;orderby&quot;:{&quot;date&quot;:&quot;DESC&quot;}},&quot;type&quot;:&quot;grid&quot;,&quot;us_grid_post_type&quot;:&quot;attachment&quot;,&quot;us_grid_ajax_index&quot;:2,&quot;us_grid_filter_query_string&quot;:null,&quot;us_grid_index&quot;:2,&quot;page_args&quot;:[],&quot;lang&quot;:&quot;en&quot;}}'><\/div>\r\n\t<\/div><div class=\"w-separator size_small\"><\/div><div class=\"g-cols wpb_row via_grid cols_1 laptops-cols_inherit tablets-cols_inherit mobiles-cols_1 valign_top type_default stacking_default\" style=\"--gap:3rem;\" id=\"curatorial-text\"><div class=\"wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_text_column us_custom_a633a40c\"><div class=\"wpb_wrapper\"><p style=\"text-align: center;\"><strong>CURATORIAL TEXT<\/strong><\/p>\n<p style=\"font-weight: 400;\"><span>This is the story of a fortress. A domain nestled in the Lithuanian countryside, whose inhabitants are, for the most part, objects.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>Wood, steel, iron, plaster, marble, glass, ceramic, stone, terracotta, pigments, fruit, and other materials combine within the space of a large industrial warehouse forming, day by day, a giant still life. A life-sized still life that, through an excess of either life or death, surpasses the human scale.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>This is the realm of Marius Gru\u0161as, an artist known for his <em>Medein\u0117<\/em>: a sculpture depicting a woman who, with graceful composure, sits on the back of a bear. She is the Lithuanian goddess of forests and hunting. Making her way through the streets of Vilnius\u2019 Old Town, she reminds the city that it was once a forest, and still is.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>Everything is a forest. Even Marius Gru\u0161as\u2019 fortress. And this fortress, like the forest, cannot be owned. No one possesses it, because everyone is possessed. The master of this fortress is a subject of an empire that no longer exists, or of the fear that an empire might return to take everything away. Meanwhile, the other members of the family try to escape the tyranny of things.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>In this story, then, there is no king and no queen. There are no princes, nor any princess waiting to be saved. If there is a princess, she will save herself, with the strength and grace of a Medein\u0117.<\/span><span>\u00a0<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>The story of this fortress begins again today, on August 7, 2025. Gabija Gru\u0161ait\u0117 returns to the places that indelibly marked her childhood to retrace a personal map of survival, and to let it be inhabited by others, finally.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>To the oppressive sense of a place where everything is accumulated and preserved, Gru\u0161ait\u0117 responds with <em>horror pleni<\/em>. Her gaze slips into the gaps of a constant all-over, tracing perspectives and escape routes that otherwise seem denied.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>Words, the artist\u2019s chosen medium, weave a new narrative fabric within the space, revealing not only their deepest origin but also the possibility of going beyond themselves. This time, however, the artist\u2019s texts do not take the form of books, as her literary career might lead one to expect, but intertwine with videos and drawings that punctuate and expand the architectural dimension of the place.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>Between the hangar\u2019s aisles, cluttered with objects, the artist films a series of tracking shots while her voice-over retraces the physical and emotional density of the space and its story. The video is displayed in a mirrored setup at both ends of the same hangar, creating an effect of echo and continuation, at once expansive and claustrophobic.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>Inside a separate room, the only empty space in the entire complex, the artist offers instead the spatial coordinates of the surrounding area through a floor drawing, serving as a personal orientation tool for visitors.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>This passage unfolds as a ritual of initiation and liberation, traversing Marius\u2019 studio, house, factory, and storage to reunite them into a single, monumental work of art that transcends itself. A work that stands somewhere between monument and decay, awareness and repression, symptom and genius. A work no longer belonging to the father, but not solely to the daughter either.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>Because the story of this fortress is not intimate and personal. Not only. Alongside the traumas of a family, it holds those of an entire society: a post-industrial, post-rural, post-Soviet, and post-capitalist society that keeps finding itself at the borderlands of war.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>This is an invitation to a reunion. PTSD REUNION.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-separator size_small\"><\/div><div class=\"g-cols wpb_row via_grid cols_1 laptops-cols_inherit tablets-cols_inherit mobiles-cols_1 valign_top type_default stacking_default\" style=\"--gap:3rem;\" id=\"biographies\"><div class=\"wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_text_column us_custom_a633a40c\"><div class=\"wpb_wrapper\"><p style=\"text-align: center;\"><strong>BIOGRAPHIES<\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong><span>Gabija Gru\u0161ait\u0117<\/span><\/strong><span> is a Lithuanian writer and artist who lives between London, Monte Argentario, and Vilnius\/Pervalka. She studied media and anthropology in London and spent seven years in Malaysia, where she founded the independent art space Hin Bus Depot. Gabija Gru\u0161ait\u0117 is currently a postgraduate student at the Royal College of Art in London.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>Gru\u0161ait\u0117 has published three novels \u2013 <em>Nei\u0161sipildymas<\/em> (2010, 2020), <em>Stasys \u0160altoka: vieneri metai<\/em> (2017, 2024), and <em>Grybo sapnas<\/em> (2023). Additionally, she authored her first children\u2019s book, <em>Gro\u017eis ir Heizelis<\/em>. <em>Stasys \u0160altoka: vieneri metai<\/em> was translated into English (<em>Cold East<\/em>, 2018, 2019) and Ukrainian (2022), earning the Jurga Ivanauskait\u0117 literary award, the Penang Monthly literary prize, and a nomination for Lithuanian Book of the Year. The book also made it into the top 12 most creative books selected by the Lithuanian Institute of Literature and Folklore.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>Her latest novel <em>Grybo sapnas<\/em>, was a national bestseller with six print runs in its first year. She later expanded the book\u2019s universe into visual art with <em>Date with an Octopus<\/em>, a performance shown twice to sold-out audiences, including at the 2024 Vilnius Art Festival. <\/span><\/p>\n<p style=\"font-weight: 400;\"><span>In addition to her literary accomplishments, Gru\u0161ait\u0117 is also immersed in visual and performance art, having begun a process of expanding her writing through exhibition-based projects. Within this framework lies <em>Ferma<\/em>, a work of collective elaboration around a site of both historical and personal trauma. Like other recent projects, it incorporates video and sound installations, maps, performing acts and drawings, blending literary imagination with compelling visual expression. This spatialization of writing not only allows Gru\u0161ait\u0117\u2019s work to interact with architectural space, but more importantly, to generate new forms of encounter around it.<\/span><\/p>\n<p style=\"font-weight: 400;\"><strong><span>Francesco Urbano Ragazzi<\/span><\/strong><span> is a curatorial duo founded in Paris in 2008. <\/span><span>Their practice aims to reconnect art with real life through exhibition formats that take place not only within galleries and museums but also across spaces shaped by the free market.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>This approach is exemplified by their long-standing collaboration with artist and institution builder Jonas Mekas, who also introduced them to Lithuania&#8217;s struggle for independence. This connection led to their curation of more than twenty projects about his work, from retrospective exhibitions to screenings and publications, including the book <em>Lithuania and the Collapse of the USSR<\/em> (Humboldt, 2019) and <em>Jonas Mekas 100!<\/em> in Italy (2023-2024).<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>Francesco Urbano Ragazzi has also organized exhibition projects for numerous public and private institutions, including ISCP (New York), MMCA (Seoul), Kunstnernes Hus (Oslo), CERN (Geneva), Bucharest Biennale, Maraya Art Centre (Sharjah), Castello di Rivoli Research Center (Turin), Palazzo delle Esposizioni (Rome), Reykjav\u00edk International Film Festival, Centre d\u2019Art Contemporain Gen\u00e8ve, La Loge (Brussels), La Casa Encendida (Madrid), Institut Fran\u00e7ais (Paris), Ruya Foundation (Baghdad), and Emirates Foundation (Abu Dhabi).<\/span><\/p>\n<p style=\"font-weight: 400;\"><span>In 2025, Francesco Urbano Ragazzi was appointed Inaugural Fellow for Curatorial Research at the American Academy in Rome. In 2022 the duo served as artistic director of LIAF \u2013 Lofoten International Art Festival, the longest-running contemporary art biennial in Scandinavia.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":642,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"iawp_total_views":292,"footnotes":""},"class_list":["post-809","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/gabijagrusaite.com\/en\/wp-json\/wp\/v2\/pages\/809","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gabijagrusaite.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gabijagrusaite.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gabijagrusaite.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gabijagrusaite.com\/en\/wp-json\/wp\/v2\/comments?post=809"}],"version-history":[{"count":14,"href":"https:\/\/gabijagrusaite.com\/en\/wp-json\/wp\/v2\/pages\/809\/revisions"}],"predecessor-version":[{"id":913,"href":"https:\/\/gabijagrusaite.com\/en\/wp-json\/wp\/v2\/pages\/809\/revisions\/913"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gabijagrusaite.com\/en\/wp-json\/wp\/v2\/media\/642"}],"wp:attachment":[{"href":"https:\/\/gabijagrusaite.com\/en\/wp-json\/wp\/v2\/media?parent=809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}